This painting, the inspiration for the title of the musical, Fiddler on the Roof, is also the inspiration for the "Dream Scene" in our production. Get your tickets now and enjoy an afternoon of magical theater in the woods.

The following is excerpted from a "Truth in Art" column by W. Scott Lamb entitled The Green Violinist by Marc Chagall:

“A fiddler on the roof. It sounds crazy, no?” asks the poor Jewish milkman. “In our little village of Anatevka you might say every one of us is a fiddler on a roof. Trying to scratch out a pleasant simple tune without breaking his neck. It isn’t easy. You may ask why do we stay up here if it is so dangerous? We stay because Anatevka is our home. And how do we keep our balance. That I can tell you in one word. Tradition!” (from the opening of Fiddler on the Roof)

Fiddler on the Roof is loosely based on a novel called "Tevye, the Milkman," written by Yiddish author Sholem Aleichem and published in 1894. At the time of its publication and in roughly the same area of the world, another Jewish Russian was experiencing life in similar fashion to the fictional characters of Anatevka. The boy’s name was Moishe Shagal, but the world knows him best as Marc Chagall, one of the best-known painters of the 20^th century.

Even though Chagall moved away from his hometown of Vitebsk, the town remained a part of his memory and is reflected in The Green Violinist – a merry celebration of the tension between change and continuity of our lives. Chagall painted this in 1923-1924, thirty years after Aleichem’s novel and forty years before the Broadway production of Fiddler (which took Chagall’s painting as inspiration for the title of the musical).

The painting itself is enjoyable. Set against a bland backdrop of grey, brown, and black, a geometrically-inspired man in vibrant secondary colors (purple, orange, and green) plays a violin while standing on top of two houses. And check out that purple coat with triangle patterns! The painting is intended to make us reflect on the transitory and changing nature of the world in which we live. How should we respond to change and how should we relate to the past?

Imagine the historical changes that took place in Chagall’s hometown of Vitebsk. When Chagall was born, the town was under Tsarist rule. The Communist revolution brought political change and much turmoil. The Nazis took over the town for over three years, during which time 150,000 Jews died. Then, the Soviet Union took over the area and ruled until 1991.  

How does one move forward into the future while not losing the essential character of who they are? In Jewish villages, the fiddler would come out and play at births, weddings, deaths – all transforming events that cause us to reflect on the past, present, and future.

Regarding tradition, Fiddler’s Tevye says, “You may ask, ‘How did this tradition get started?’ I’ll tell you!  I don’t know. But it’s a tradition... and because of our traditions... Every one of us knows who he is and what God expects him to do.”

There is real tension between the forces that pull us forward and those that keep us in the past. Chagall’s fiddler is a modern Moses, commanding the people to remember the past even as they experience the change of the present and the promise of the future. The fiddler stands for joyful tradition, even while playing out to people leaving the village (horse and cart at top left) and finding freedom elsewhere (man floating off the page at top). The drumbeat of change will not stay outside of this man’s town, and yet the dog reminds us of fidelity to some part of the past. The ladder is at once both bound and free, one end on the ground and the other in the air. The tree itself is barren, but the bird in the branch reminds us of Chagall’s use of birds as a symbol of freedom.

And the fiddler himself is standing on and above the bedrock institutions of his village – home and synagogue. He is larger-than-life and yet his feet are still connected to things of the earth. This fiddler, central to “the tradition” of the village is also alive and well even in the midst of the fast-paced changes all around him. And the purple speaks of stable passion, emotional exuberance under control of the mind. Excited about the future even while retaining memory of the past.

Perhaps Chagall is saying that it is up to individuals to live larger than life by finding color and joy in remembrance of the past, even as the call of the future beckons.

What do you see in this painting? Leave a comment and tell us.

The Kitsap Forest Theater is a beautiful place situated among a forest of many different variety of trees and wildlife with several creeks running through the property. Did you know that the theater property (owned by The Mountaineers) is surrounded by the Rhododendron Preserve (owned and operated by The Mountaineers Foundation - not affiliated with The Mountaineers)? There are over 460 acres of pristine forest being protected for new generations of outdoor lovers. The Rhododendron Preserve includes "Big Tree", one of the biggest old growth firs on the Olympic peninsula and is worth the short hike to view it.

Those of us who have been involved keep coming back because of the beauty and peacefulness of this special and magical place. Since "mother nature" has her way with this property, there is much work to do before each play season to prepare the grounds and buildings for the actors, production staff and audience. 

Last weekend Brian Lindvall, co Kitsap Cabin chair, spent all day washing all 44 mattresses from our bunk house (Cascade) in preparation for our first Kitsap Rehearsal weekend at the theater. Previous to that, several cast members (David Gordon & Purcelle Harris) helped Nancy Estill and Brian remove many screws that were sticking out of the 2" x 4"'s on the men's side of Cascade after the damaged wallboard was removed. The cabin is now ready for overnights for our cast and crew.

Some of the roofs on the buildings down at the theater are leaking and in need of repair. So far, we have had two work parties to deal with this huge job. Thanks to Scott Baker, Josh Brown, Craig McCoy and Gardner Hicks for taking the lead on this project. And thanks to Olivia Hickerson for helping (with her pickup) to take a bunch of trash and used roofing to the dump. Last weekend Scott and Josh cut out a large rotten part of the roof and replaced it with new plywood. We have scheduled a third roofing party on Saturday, April 21st, and could use more help.

Also, last weekend Gardner Hicks (Theater Chair) and David Jensen raked all of the audience seats in the theater. Gardner Hicks has been the super volunteer who  has cared for the theater and the theater trail for over 40 years. David Jensen has taken over the task of maintaining the Theater Trail and we thank him for "stepping up" and continuing the long standing tradition of volunteerism at the theater. And we thank Gardner for his continued contributions to the care of this majestic theater.

We also continue the work on our new yurt. We found used oak flooring for the yurt, and it took three days of work to load it, unload it, and grind off all of the nails and staples sticking out of the wood. Thanks to Craig McCoy, Josh Brown, Brian Lindvall and Trey Morgan for help with all of that grinding. And thanks to Gail Foster and Nancy Estill for help in cleaning and stacking the flooring.

We are always looking for help around the property and with building and painting sets. Please consider volunteering your time and energy in the coming months. During shows, we need volunteer ushers and parkers to help - and you get to see the show for free. It is a great way to be an important part of the team.

We are a community of outdoor and theater lovers and there are lots of opportunities to join us and help out in whatever area you are able. Contact us for more information and/or to volunteer. Thanks! 

We are excited to announce the cast for our spring show, Fiddler on the Roof. We have 51 cast members, including 23 returning Players and 28 brand new Players. We have 11 families involved (parents and youth), five who are new to the Players, and six who are returning. Our talented cast ranges in age from Kindergarten to over 70 years old. Here is a list of some of the roles:

We also welcome returning Players: Marion Allred; Kim & David Gordon; Danette, Shawn & Jessica Lam; Callie Maxson; Thea & Debora Reinert; Nicole & Katelyn Cooper; Katie Dreessen, Rosanna Hughes, Brian Lindvall & David Jensen. New Players to round out our cast are: Eliana & Jasmine Harrick (see parents above); Maya, Layla & Joe Markovich (Eliana, Jasmine, Maya and Laya will be sharing the younger daughter roles); Joan, Alfonso & Luciana Barrera; Julie, Stewart, Emma & Jules Shusterman; Shayla & Purcelle Harris; Erica McAdams-Roth and Angela Morgan.

We start rehearsals on Monday evening, March 12th, and Craig (director), Amy Beth (music director) and Guy (choreographer) are looking forward to an awesome rehearsal process. We can assure you with this talented cast and crew that this will be an excellent show – you will want to get your tickets early.

We thank all who auditioned! 

Guest Blog post from Jerry Dreessen:

Kitsap Forest Theater has been a great way to spend time with my family. I can't think of any other place in the Northwest where a dad, mom and kids can spend time camping out in the woods, meeting other interesting people AND performing on stage together. 

Both my wife and I had theater experience before we met, and after we got married it only seemed natural to introduce our kids (we have 3 of them) into theater. When our oldest son landed KFT's role of “Beast” in Beauty and the Beast, he shared his experiences with us and suggested we give it a try. With our daughter in elementary school, it seemed like a great chance to go through the experience and the four of us were together on the set of The Sound of Music.  

We have been in a few other shows since then too, and the experience is always the same; great people, great hiking (and great food), and a chance to “live outdoors” for a few weekends - along with building memories with the rest of the cast, as well as my wife, sons and daughter. 

You’ll need to experience what a truly unique opportunity this is first hand. I personally invite you to audition as a family for one of the Kitsap Forest Theater shows. You'll build a unique bonding experience with your family, as well as fond memories to share over a lifetime.